67. An In Utero noise jam relegated to the B side of “Heart-Shaped Box” and tacked on to the end of certain pressings of the CD, “Gallons of Rubbing Alcohol Flow Through the Strip” is akin in concept only to Nevermind’s notorious “Endless, Nameless.” Instead, the band reveals a level of slackness rivaling that of its peers in Pavement, right down to Cobain’s spot-on Stephen Malkmus impersonation. The track peaks with a furious instrumental climax and a blaring guitar solo that resembles a short-circuiting dial-up modem. It’s impossible to listen and not think that it’s Cobain encountering the self that “died alone / A long long time ago.”. "Help Me I'm Hungry," With the Lights Out (2004)Nirvana, then with drummer Aaron Burckhard, unveiled this abrasive cut during a 1987 in-studio set for Olympia's KOAS community radio station. Due in part to its flannel-heavy music video, itself a definitive moment of the grunge era, "Teen Spirit" swelled into a culture-defining moment that eclipsed Nirvana itself. So ludicrous was the idea of achieving financial stability by playing music that Cobain replaced the word money in the line “all the money that I make” with Mudhoney. It rules. "They Hung Him on the Cross," With the Lights Out (2004)Cobain and Novoselic joined Screaming Trees' Mark Lanegan and Mark Pickerel in 1989 for an aborted attempt at forming a modern-day blues supergroup, called the Jury. He was baptized during his turbulent teenage years and even briefly attended church service. At least the two were able to meet during Cobain's lifetime: "Iggy Pop is pretty much the only person that I've ever met that I really, really admire," Cobain told Much Music in 1993. "Set the mood, something new," he wheezes over the din. But I knew the majority of the people wouldn’t understand it." And Jimmy Kimmel reconnects with an old, incredibly stoned friend. By the seventh verse, Cobain’s increasingly fraught voice finally breaks with a skin-freezing shriek at the word shiver. 16. Throughout, the frontman bangs away at an acoustic-electric guitar that had seen better days while a cello hums in the background. 72. Kurt knew well the dark, brutal side of masculinity, and at times in his self-scrutinizing songwriting he wholly embraced his own inner creep, but singing “Polly” from the rapist’s vantage puts the song in a lineage with the likes of Henry: Portrait of a Serial Killer and In Cold Blood. 54. Farmer’s ghost hangs over this splenetic, feedback-pierced song, and the plaintive “I miss the comfort in being sad” remains one of the band’s most wrenching choruses. And to put a jangly R.E.M. Those bands were cool, but it was “Love Buzz,” the first single from Nirvana, that proved to be seismic, wholly shifting the paradigm of ’90s culture. "Something in the Way," Nevermind (1991)According to legend, the acoustic-and-cello ballad "Something in the Way" chronicles a period of homelessness for a young Cobain. "And my eldest boy — he's nine — turned to me recently and said: 'Mum, we prefer Nirvana's version of "Molly's Lips" to yours!'". As Novoselic opined, Cobain “had some kind of unattainable expectations for it,” and it deserved a better fate. Trapped in Friend’s mobile home, the girl was raped and tortured with implements like a blowtorch before finally escaping. "Drain You," Nevermind (1991)Cobain once boasted to Rolling Stone that this Nevermind deep cut (if there's such thing with an album this famous) was "definitely as good as 'Teen Spirit'" — a lofty claim, but he did have reason to be proud. There's nowhere to hide. Along with songs like “Bambi Slaughter” and “Anorexorcist,” the tape shows Cobain’s early Frankensteinian attempts to graft Black Sabbath riffage onto Black Flag rage. Cobain's guitar solo is one of his finest moments as a player — a frightening eruption of tremolo and sustain. The Good, The Bad, and The Beautiful from The Godfathers of Alternative Rock. The song is devastatingly simple but with an intensity that would have been inconceivable with Chad Channing behind the drum kit. Yet these three Unplugged covers are captivating. “If there is a ‘Seattle Sound,’ it came from Portland, Oregon, in the early ’80s by a three piece band named the Wipers.” So Kurt Cobain wrote in his Journals. This In Utero outtake is the sound of Nirvana's classic trio in full flight — if only they were armed with a song. "Anorexorcist," With the Lights Out (2004)The grinding "Anorexorcist" dates back to 1985, when Cobain recorded a demo with his short-lived punk act Fecal Matter (featuring Melvins drummer — and briefly tenured Nirvana recruit — Dale Crover). 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